Rare private power pop rock
obscurity from Venice, CA. Three quick
paced melodic and catchy tunes along with a slower ballad that’s pretty good
with it’s guitar work and subtle keyboard arrangement.
This is a killer little new
wave rocker – it has great synth action, catchy melodies, power pop leanings
and strong drumming. Sure, Tim’s vocals aren’t the greats – but he uses
them to great effect. The closing 'Sci Fi Man' is a stunning synth wave
monster!
Private new wave rock band hailing from
Connecticut.The title song is a
galloping new wave rocker, complete with parping keys and a very catchy
chorus.The rest is just as good.
Private rock from
Kansas – the group was quite big at eight members. Probably a great live band as they have
novelty goofiness spots in their music.
This is hit and miss – they have a few covers that are lame. There are two solid songs – ‘Too Much To Dream’
a psych rocker and new wave power pop rocker ‘Girls In Nurse Socks’.
United Kingdom based
new wave post punk trio. The mid-paced
‘Shalott’ is a cool track with its striking synth washes and strategically
placed saxophone play. ‘Maze’ treads
along with a somber post punk vibed arrangement. Against a sharp post punk arrangement, the
band employ some interesting instrumentation on ‘Bitter Sweet’ and ‘Face On A
Wall’. An enjoyable set of moody new
wave laced post punk.
This private press
from Sacramento, CA is mostly a duo with Keith Smith leading the effort and his
right-hand man being guitarist Glen Granthem.
There’s also a variety of session musicians brought in to balance things
out on drums, saxophone, bass and additional guitars. Standouts include the driving ‘Coming Back To
Me’, the tempo changed up ‘I’ll Never Hear You Again’ and hard rock guitar
rhythms in ‘Right Now’. The passionate
chorus and punchy piano arrangements in ‘The Changes’, ‘Inside Of Me’ and ‘I
Wouldn’t Want To Be With You’ turn out additional solid ear pleasing
offerings. There’s a couple slower
ballads and a countryfied slow pacer in ‘Hey Lady’.